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Institute
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Name
Schola Cantorum Basiliensis Musik Akademie Basel FHNW
Address
Schola Cantorum Basiliensis Musik Akademie Basel FHNW
Leonhardsstrasse 6
4009
CH-Basel
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Projects
Responsible applicant
Institution of higher education
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End date
Funding scheme
Ina Lohr (1903-1983), an Early Music Zealot: Her Influence in Switzerland and the Netherlands
Llewellyn Jeremy
University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW
01.09.2014
31.08.2016
Project funding (Div. I-III)
Vicentino21 - Digitale Edition mit Übersetzung, Kommentar und praktischer Erkundung von Nicola Vicentinos «L’antica musica ridotta alla moderna prattica» (Rom 1555)
Kirnbauer Martin
University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW
01.01.2020
31.12.2023
Project funding (Div. I-III)
Wege zur Klassik
Moths Angelika
University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW
01.01.2007
31.03.2007
DORE conferences
Tagungen zum Forschungsprojekt "Gender Transgressionen" begleitend zur Aufführung von Francesca Caccinis La liberazione di Ruggiero dall'isola di Alcina (Florenz 1625)
Fischer Christine
University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW
01.10.2011
31.10.2011
DORE conferences
Symposium: Stimme - Instrument - Vokalität. Die menschliche Stimme als instrumentales Vorbild. Ideal oder Klischee?
Drescher Thomas
University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW
01.11.2016
28.02.2017
Scientific Conferences
La Grande Écurie - Erforschung und Rekonstruktion der Instrumente und ihres Repertoires am Hof Ludwigs XIV. und XV.
Drescher Thomas
University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW
01.04.2007
30.09.2009
DORE project funding
Notkers Hand - Historische Musikpraxis zwischen Rezeptionsgeschichte und Anlasskultur
Zimmermann Philipp
University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW
01.11.2012
31.01.2013
Scientific Conferences
Out of the bass register - uncovering the organology, pedagogy, and performance practice of small-sized bassoons from the 18th and 19th centuries
Drescher Thomas
University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW
01.05.2020
30.04.2023
Project funding (Div. I-III)
Textlosigkeit in der Musik des Mittelalters 800-1300
Llewellyn Jeremy
University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW
01.02.2009
30.04.2009
DORE conferences
Female saints seen through the eyes of two medieval monastic traditions: dialogue of differences and intersections in the texts and music in the sung liturgies of the “preaching” Dominicans and “contemplative” Carthusians
Šter Katarina
University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW
01.04.2016
30.06.2016
International short research visits
LIST Lexicon of instrumental sound techniques
Pratsch Martina
University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW
01.11.2001
30.04.2002
DORE project funding
Improvisatorische Praxis im 16. bis 18. Jahrhundert
Hartinger Anselm
University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW
01.12.2007
29.02.2008
DORE conferences
Musical Reworkings
Memelsdorff Pedro
University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW
01.11.2014
31.01.2015
Scientific Conferences
Groß Geigen, Vyolen, Rybeben - Nordalpine Streichinstrumente um 1500 und ihre Praxis
Drescher Thomas
University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW
01.10.2013
30.09.2015
Project funding (Div. I-III)
Oper als 'Gesamtkunstwerk' - zum Verhältnis der Künste im barocken Musiktheater
Fischer Christine
University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW
01.11.2009
31.01.2010
DORE conferences
Symposium: Transformationen instrumentaler Klanglichkeit am Beispiel der frühen italienischen Viola da gamba
Drescher Thomas
University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW
01.05.2013
31.07.2013
Scientific Conferences
Italienische Oper an deutschsprachigen Höfen des 17. und 18. Jahrhunderts - transdisziplinäre Untersuchungen zur Aufführungspraxis innerhalb verschiedener Ausprägungen von Kunstpolitik in Absolutismus und Aufklärung
Fischer Christine
University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW
01.05.2011
30.04.2013
SNSF Professorships
Französische Musik um 1700 in europäischen Perspektiven
Drescher Thomas
University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW
01.12.2004
28.02.2005
DORE conferences
Fagottini and tenoroons - small, forgotten giants. Exploring the eighteenth- and nineteenth-century history, repertoire and usage of small-scale bassoons in performance and pedagogy
Drescher Thomas
University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW
01.10.2017
30.09.2019
Project funding (Div. I-III)
Die Citole und verwandte mittelalterliche Zupfinstrumente
Drescher Thomas
University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW
01.04.2005
30.06.2005
DORE conferences
The Reconstruction of Performing Conventions in Aquitanian Repertories of the 11th-13th Centuries
Llewellyn Jeremy
University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW
01.10.2011
30.09.2013
Project funding (Div. I-III)
Polifonia sforzesca: i cicli di mottetti nei Libroni del Duomo di Milano tra liturgia, devozione e patronage ducale
Pavanello Agnese
University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW
01.01.2018
31.01.2021
Project funding (Div. I-III)
Instrumente der griechischen Klassik (ca. 500 v. Chr.) und ihre Musik
Moths Angelika
University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW
01.10.2005
30.09.2006
DORE project funding
Symposium I: La Grande Ecurie - Erforschung und Rekonstruktion der Instrumente und ihres Repertoires am französischen Hof
Drescher Thomas
University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW
01.04.2008
30.06.2008
DORE conferences
Cicli di mottetti tra Quattro e Cinquecento: funzione, performance, e disegno compositivo nel contesto di pratiche musico-liturgiche e devozionali
Pavanello Agnese
University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW
01.09.2014
31.12.2017
Project funding (Div. I-III)
Werk, Werkstatt, Handwerk - Neue Zugänge zum Material der Alten Musik
Zimmermann Philipp
University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW
01.12.2010
28.02.2011
DORE conferences
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