Institute

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Name

Schola Cantorum Basiliensis Musik Akademie Basel FHNW

Address Schola Cantorum Basiliensis Musik Akademie Basel FHNW
Leonhardsstrasse 6
4009
CH-Basel
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Projects

Responsible applicant Institution of higher education Start End date Funding scheme

Ina Lohr (1903-1983), an Early Music Zealot: Her Influence in Switzerland and the Netherlands
Llewellyn Jeremy University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW 01.09.2014 31.08.2016 Project funding (Div. I-III)

Vicentino21 - Digitale Edition mit Übersetzung, Kommentar und praktischer Erkundung von Nicola Vicentinos «L’antica musica ridotta alla moderna prattica» (Rom 1555)
Kirnbauer Martin University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW 01.01.2020 31.12.2023 Project funding (Div. I-III)

Tagungen zum Forschungsprojekt "Gender Transgressionen" begleitend zur Aufführung von Francesca Caccinis La liberazione di Ruggiero dall'isola di Alcina (Florenz 1625)
Fischer Christine University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW 01.10.2011 31.10.2011 DORE conferences

La Grande Écurie - Erforschung und Rekonstruktion der Instrumente und ihres Repertoires am Hof Ludwigs XIV. und XV.
Drescher Thomas University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW 01.04.2007 30.09.2009 DORE project funding

Symposium: Stimme - Instrument - Vokalität. Die menschliche Stimme als instrumentales Vorbild. Ideal oder Klischee?
Drescher Thomas University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW 01.11.2016 28.02.2017 Scientific Conferences

Notkers Hand - Historische Musikpraxis zwischen Rezeptionsgeschichte und Anlasskultur
Zimmermann Philipp University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW 01.11.2012 31.01.2013 Scientific Conferences

Cicli di mottetti tra Quattro e Cinquecento: funzione, performance, e disegno compositivo nel contesto di pratiche musico-liturgiche e devozionali
Pavanello Agnese University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW 01.09.2014 31.12.2017 Project funding (Div. I-III)

Female saints seen through the eyes of two medieval monastic traditions: dialogue of differences and intersections in the texts and music in the sung liturgies of the “preaching” Dominicans and “contemplative” Carthusians
Šter Katarina University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW 01.04.2016 30.06.2016 International short research visits

Wege zur Klassik
Moths Angelika University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW 01.01.2007 31.03.2007 DORE conferences

Out of the bass register - uncovering the organology, pedagogy, and performance practice of small-sized bassoons from the 18th and 19th centuries
Drescher Thomas University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW 01.05.2020 30.04.2023 Project funding (Div. I-III)

Musical Reworkings
Memelsdorff Pedro University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW 01.11.2014 31.01.2015 Scientific Conferences

Improvisatorische Praxis im 16. bis 18. Jahrhundert
Hartinger Anselm University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW 01.12.2007 29.02.2008 DORE conferences

Groß Geigen, Vyolen, Rybeben - Nordalpine Streichinstrumente um 1500 und ihre Praxis
Drescher Thomas University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW 01.10.2013 30.09.2015 Project funding (Div. I-III)

LIST Lexicon of instrumental sound techniques
Pratsch Martina University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW 01.11.2001 30.04.2002 DORE project funding

Textlosigkeit in der Musik des Mittelalters 800-1300
Llewellyn Jeremy University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW 01.02.2009 30.04.2009 DORE conferences

Italienische Oper an deutschsprachigen Höfen des 17. und 18. Jahrhunderts - transdisziplinäre Untersuchungen zur Aufführungspraxis innerhalb verschiedener Ausprägungen von Kunstpolitik in Absolutismus und Aufklärung
Fischer Christine University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW 01.05.2011 30.04.2013 SNSF Professorships

Instrumente der griechischen Klassik (ca. 500 v. Chr.) und ihre Musik
Moths Angelika University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW 01.10.2005 30.09.2006 DORE project funding

Symposium I: La Grande Ecurie - Erforschung und Rekonstruktion der Instrumente und ihres Repertoires am französischen Hof
Drescher Thomas University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW 01.04.2008 30.06.2008 DORE conferences

Werk, Werkstatt, Handwerk - Neue Zugänge zum Material der Alten Musik
Zimmermann Philipp University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW 01.12.2010 28.02.2011 DORE conferences

The Reconstruction of Performing Conventions in Aquitanian Repertories of the 11th-13th Centuries
Llewellyn Jeremy University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW 01.10.2011 30.09.2013 Project funding (Div. I-III)

Oper als 'Gesamtkunstwerk' - zum Verhältnis der Künste im barocken Musiktheater
Fischer Christine University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW 01.11.2009 31.01.2010 DORE conferences

Die Citole und verwandte mittelalterliche Zupfinstrumente
Drescher Thomas University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW 01.04.2005 30.06.2005 DORE conferences

Fagottini and tenoroons - small, forgotten giants. Exploring the eighteenth- and nineteenth-century history, repertoire and usage of small-scale bassoons in performance and pedagogy
Drescher Thomas University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW 01.10.2017 30.09.2019 Project funding (Div. I-III)

Symposium: Transformationen instrumentaler Klanglichkeit am Beispiel der frühen italienischen Viola da gamba
Drescher Thomas University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW 01.05.2013 31.07.2013 Scientific Conferences

Polifonia sforzesca: i cicli di mottetti nei Libroni del Duomo di Milano tra liturgia, devozione e patronage ducale
Pavanello Agnese University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW 01.01.2018 31.01.2021 Project funding (Div. I-III)

Französische Musik um 1700 in europäischen Perspektiven
Drescher Thomas University of Applied Sciences and Arts Northwestern Switzerland (without UTE) - FHNW 01.12.2004 28.02.2005 DORE conferences
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